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“The Missing Year of Juan Salvatierra” is a compelling celebration of art as a force of nature, a fragile yet indomitable demand for possibility despite the constraints of a torpid existence.
Read MoreBut Mr. Ho’s Brian O’Neill had another idea. What if he took the very inauthenticity of the original music as a motive for putting together things that were never meant to go together originally? Like Bach’s Toccata and Fugue with a Balkan beat?
Read MoreThis attractive, inexpensive box set dedicated to Claudio Abbado contains a rich gathering of lucid, colorful recordings, among the most accomplished modern performances of symphonies that are absolutely central to the repertoire.
Read MoreIt’s a pity Witold Lutoslawski’s music isn’t turning up on more orchestral programs in the U.S. this season and next – Benjamin Britten seems to be the centennial birthday boy of choice.
Read MoreDirector Refn’s craftsmanship isn’t in doubt here, just whether this deadening story was worth all the effort.
Read MoreThis production of “Pygmalion” is also a case study in how an accomplished director –- former Huntington Theatre Company director Nicholas Martin – weaves every part of his team into a seamless whole.
Read MoreThe Williamstown Theatre Festival production of G.B. Shaw’s 100-year-old classic, “Pygmalion” – which only plays nine more performances – delivers an evening of superb theater on all levels.
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Theater Review: A Few Thoughts on Williamstown Theatre Festival’s “Pygmalion”
Surely the lesson of “Pygmalion” is that Eliza should never look back. She doesn’t need to.
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