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“Le Joli Mai” is serious and sober, a bit of a downer, climaxing in a lengthy interview with a dullard union official about why he supports the French Communist Party.
[updated] Arts Fuse critics select the best in music, theater, film, and dance for the weekend and beyond.
There will be readers who appreciate Daniel Menaker’s brevity and lack of emotional engagement, but for me, much of “My Mistake” reads like notes for a memoir.
In her compelling deconstruct/rewrite of “Miss Julie,” set in South Africa 18 years after the end of apartheid, director/dramatist Yaël Farber doubles down on the elemental energies of Greek tragedy.
“I like singing live; I try to sing well live, I try to prepare myself for the audience, for that room. And I care a great deal about singing live, because I think that’s the experience of jazz. Even if I’m singing Brazilian music.”
Benjamin Evett as Arthur and Erica Spyres as Guenevere turn in solid performances, dependable anchors for a cast that does the best that it can in a drab, bargain basement production.
Throughout his writing, poet Seamus Heaney’s penetrating imagination is one that strives for accuracy.
As the individual who quite possibly had the best seats in the house for the monumental legal battle that unfolded over the course of a few weeks in the summer of 1971, James Goodale provers invaluable morsels of insight and information.
Stand-up comic Colin Quinn has been giving a lot of thought to the Founding Fathers, their vision for the new nation and, well, how that turned out. The result is his sharp and funny one-man show.
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