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Director Cristián Jiménez treats the melodramatic proceedings with an ironic sense of humor that manages to keep the maudlin at bay.
Anyone interested in understanding Europe in the 20th century, or in the fascinating metropolis that is Berlin, or in a riveting depiction of down-and-out youth who refuse to surrender to the system–will want to pick up Blood Brothers.
The late Albert Maysles once said: “I don’t see, frankly, trying to make a film to create better understanding. Our motivations for making films aren’t intellectual ones.”
Kudos to the Celebrity Series for bringing this interesting and innovative young musician to Boston and kudos to Cameron Carpenter for such a fascinating few hours.
Nothing takes center stage except the canvases by Helen Frankenthaler, which invite comparisons to every other piece in “Pretty Raw” and demolish the majority of them.
Over a 90-minute set Mike & the Mechanics touched a number of bases, all of them comfortable and familiar: Rousing AOR rock, soft rock ballads, retro-soul, and just a slight touch of Genesis prog.
Since joining the Dance Complex as executive director nearly two years ago, Peter DiMuro has been committed to widening the niche-bound notion of dance.
Arts Fuse critics select the best in film, theater, music, dance, and author events for the coming week.
This exhilarating Tristan & Yseult shakes us out of our role as passive observers and reminds us of the euphoria and the heartbreak love can bring.
Music Commentary Series: Jazz and the Piano Concerto — The Great God George
There are still some places where the genius of George Gershwin is underappreciated, and regrettably, they include most of the concert halls in his home country.
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