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Dough contains plenty of tasty charm and passion.
By any measure, this is an impressive orchestra, as technically accomplished as any number of professional ensembles, domestic and international.
Sara Silverman throws herself into depicting Laney’s mental illness and out-of-control life.
Given the precipitous Internet-driven decline of print journalism over the past decade, Spotlight vividly reminds us of the clout of a local newspaper speaking truth to power.
Other than a highway sign not much remains, but the artistic legacy of Black Mountain College is truly indelible.
Dramatist Katori Hall’s narrative unfolds with few surprises: every revelation, every secret, every comeuppance is foreshadowed.
Casa Valentina’s dramatic weight comes from how skillfully the cast explores the tensions that swirl about the subject of who is gay, who is straight, and what is legal.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
As a soloist, Fred Hersch is a wonder: he plays with an active, to the point of restless, two-handed style that sweeps a listener along with its lyrical fervor.
Film Review/Commentary: “Goodnight Mommy”—We Have Met the Enemy and He is Ours
Two recent horror films know what they are doing: they are intelligent, clever, original, and genuinely disturbing.
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