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“When we turn so crass and commercial that we have lost our way, Samuel Beckett will be rediscovered as the way back.”
Read MoreAntoine Volodine is a master of the prolonged, very prolonged, tongue-in-cheek spoof. But he is also dead serious.
Read MoreMakine may be plagiarizing himself, which is a perfectly legitimate thing for a writer to do, but scenes of spring snow and railroad stations become clichés even in talented hands.
Read MoreSimplicity is the key to director Scott Edmiston’s passionate vision for this musical.
Read MoreArts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
Read MoreLove and Money is a short play, lengthened beyond one-act duration by stuffing a Cole Porter interlude into its middle.’
Read MoreClaims that Stephan Micus erases international boundaries and makes one-world music get it backward. You visit his world on his records.
Read MoreHere is a random roster of playgoing pests, may Thespis strike each of them dumb.
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Dance Commentary: Is Dance Criticism Dead?
Neither dancers nor the dance audience are out on the barricades demanding more and better dance coverage.
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