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Anne Washburn has a number of good ideas in this play, but the execution falls short.
Senescence be damned: whether this was his last tour or not, Iggy proved he’s still got what it takes to play great rock and roll.
If Owen Gleiberman has any complaint against today’s world of criticism it’s that everyone seems to be speaking in one voice.
Live, the experience of a cosmic rhythm with every stroke is both more intense and more intriguing than on record.
Working within the forms perfected by Haydn and Mozart, Beethoven early compositions managed to say some things that remain compelling to hear.
Gina Gionfriddo’s would-be black comedy about the American worship of money and status is a misfire on all levels.
Zaha Hadid’s futuristic designs will shape the imagination of generations to come.
Demolition eschews the conventional, spinning its way to a completely unforeseen yet beautifully apt conclusion.
Fuse Arts Commentary: Outside the [Pricey] Box Festival?
The Outside the Box Festival going to need much more substance to justify its new 3-figure price tag.
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