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Fuse Dance Review: Outreachers – CATALYSTS at the Dance Complex, Central Square

February 12, 2016
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Women still dominate the dance field as performers and choreographers.

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Film Review: “Where to Invade Next” — Welcome Winds of Change

February 11, 2016
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The lightheartedness of the writing and Moore’s unkempt look are jarring, but the film effectively delivers lessons about progressive policies.

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Concert Preview: BSO’s Robert Sheena on George Tsontakis’ “Sonnets”

February 11, 2016
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The English horn, of course, is no stranger to haunting melodies.

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Film Review: “Hail, Caesar!” — A Sharp Tinsel Town Send-up

February 11, 2016
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The Coen brothers, Joel and Ethan, provide an on-target parody in Hail, Caesar!, their funny period comedy set in ’50s Hollywood.

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Fuse Film Review: “The Finest Hours” — Enjoyable, Reliable, Predictable

February 10, 2016
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The Finest Hours gives the audience two hours of fast moving, visually pleasing, easily digestible entertainment.

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Fuse Music Interview Soul Journeyman Lee Fields — Reaching Euphoria

February 10, 2016
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Soul journeyman Lee Fields and the Expressions explore new territory.

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Concert Review: The Bard in Boston, Part 2

February 9, 2016
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Everyone on stage seemed to sense that this was a special occasion and the BSO, accordingly, played with an extra jolt of electricity.

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Film Review: “The Choice” — Nothing to Hang Your Heart On

February 8, 2016
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Clear some room on the mantle of cinematic disgrace for The Choice, an utterly drippy romance.

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Theater Review: “Milk Like Sugar” — Vivid Snapshots of Confused Lives

February 8, 2016
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Milk Like Sugar cries out for dialogue and confrontations that direct us deeper into the conflicts the young women face.

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Film Review: “The Lady in the Van” — Distilled Alan Bennett

February 8, 2016
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The Lady in the Van is quite enjoyable, but has a significant flaw.

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