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Book Review: “The Last Days of Stalin” — The Death of a Nightmare

August 31, 2016
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Joshua Rubenstein has penned a compact, chilling account of the demise of the Russian tyrant.

Classical CD Reviews: Leonidas Kavakos’ “Virtuoso,” Daniel Harding conducts Rameau and Berlioz, Ballet music by Roussel, Debussy, and Poulenc

August 31, 2016
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Three CDs from musicians to be reckoned with.

Film Review: “A Tale of Love and Darkness” — A Haunting View of 1940s Israel

August 30, 2016
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Natalie Portman turned Israeli author Amos Oz’s extraordinary memoir of 1940s Jerusalem into a superb film,

Classical CD Reviews: Kristian Bezuidenhout plays Mozart, Arabella Steinbacher’s “Fantasies,” Maya Beiser’s “TranceClassical”

August 29, 2016
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New CDs from three outstanding musicians: pianist Kristian Bezuidenhout, violinist Arabella Steinbacher, and cellistMaya Beiser.

Film Review: “Miss Sharon Jones!” — Soulful Inspiration

August 29, 2016
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If this movie boosts Sharon Jones and the Dap-Kings into well-paid entertainers with a major record deal, I salute filmmaker Barbara Kopple.

Classical CD Review: The Chiara String Quartet Plays “Bartók by Heart” (Azica Records)

August 29, 2016
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The Chiara Quartet has recorded a series of gritty, compelling takes on Bartók’s seminal group of quartets.

Fuse Coming Attractions: September 4 through 13 — What Will Light Your Fire

August 28, 2016
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Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.

Book Review: Homage to Scott Miller — Perceptive Attention Paid to a Lost Pop Genius

August 28, 2016
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Brett Milano approaches his subject with encyclopedic knowledge, a fan’s fervor, and the seasoned music journalist’s skill.

Music Commentary: The 50th Anniversary Celebration of the Boston University Tanglewood Institute

August 27, 2016
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If any of you are harboring a budding young musician, investigate the possibility of he or she attending BUTI.

Rock Review: Black Sabbath, Adieu

August 26, 2016
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Black Sabbath wasn’t reaching out to the rebels or the hippies; instead, the band catered to the outsiders and the misfits.

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