Posts
An Arts Fuse regular feature: the arts on stamps of the world.
Praxis Stage manages to get Arthur Miller’s message across, and it is a valuable one that must be repeated well beyond the inauguration.
Ken Thomson’s Restless doesn’t hide from dark places or things; Oberlin Orchestra does right by Argentinian composer Alberto Ginastera.
Paterson is a movie about how ordinary it may be to see the world in a grain of sand.
In both pieces on the ODC/Dance program, serious ideas underlay a lush movement language adorned with striking scenic effects.
An Arts Fuse regular feature: the arts on stamps of the world.
Jerusalem Quartet’s Bartók is more elegant than hard-edged; Heath Quartet’s Tchaikovsky is vigorous and sweeping.
A less skilled playwright might have gone for the obvious and focused on mercy-killing and the ravages of Alzheimer’s.
Did Martin Scorsese want this film about religious faith to reverberate so faintly, to make its point through such awkward stillness?
An Arts Fuse regular feature: the arts on stamps of the world.
Fest Review: IFFBoston Shorts — Part One