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Fest Review: IFFBoston Shorts — Part Two

April 24, 2026
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Part two of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.

Fest Review: IFFBoston Shorts — Part One

April 23, 2026
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Part one of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.

Weekly Feature: Poetry at The Arts Fuse

April 23, 2026
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This week’s poem: Serena Solin’s from “The Squint”

Theater Review: “Cats: The Jellicle Ball” and “Masquerade” – What a Bold Concept Can and Can’t Do for Andrew Lloyd Webber

April 23, 2026
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Two productions set out to reinvent Andrew Lloyd Webber’s back catalog. Only one of them succeeds.

Film Commentary: “Castration Movie Chapter iii. Junior Ghosts,” “The Serpent’s Skin,” and the New Trans Cinema Moment

April 23, 2026
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If a truly trans cinema canon is to exist, then it must reclaim authorship over how trans people and narratives are represented on screen by giving trans artists the means and opportunity to create a cinema of their own.

Doc Talk: Local Heroes and Big Questions at Independent Film Festival Boston

April 22, 2026
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The spirit of Frederick Wiseman lives on at the IFFBoston.

Dance Review: Dancing Between Traditions — Vimoksha’s Lush and Luminous Fusion

April 21, 2026
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A Boston-based ensemble blends Indian classical forms with contemporary dance to probe birth, patriarchy, and migration.

Film Feature: “Marblehead Morning” Captures Folk Duo’s Enduring Harmony

April 21, 2026
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Tim Jackson’s documentary takes a compelling look at Mason Daring & Jeanie Stahl’s drama-free half-century.

Film Fest Preview: The Independent Film Festival Boston — Demanding and Creating Independent Audiences

April 21, 2026
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This year’s Independent Film Festival Boston kicks off this week, and it offers a grand selection of must-see indie films that set audiences free from the soulless product of corporate franchises.

Film Review: François Ozon Reimagines Camus with Style — and Judicious Revisions

April 20, 2026
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A rigorously faithful “Stranger” that nonetheless reframes the novel’s moral center in worthy, modern ways.

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