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Come From Away is more than just a rousing and heart-warming 100 minutes of theatrical entertainment. It’s a poignant reminder, and celebration, of what we’re all capable of as people.
Believe it or not, Buddy Holly is on tour with another deceased rock ’n’ roll pioneer — Roy Orbison.
All three groups in this Blue Note anniversary concert were distinctly different. One was shaded with a hip hop influence, one proffered organ trio jazz-funk and one, all female, had singing as its focal point.
At a time when a number of established music venues in the Boston area have closed, Club Passim continues to thrive, thanks to the loyal grass-roots support it has enjoyed over six decades.
Robert Forster was apparently spot-on when he proclaimed that The Go-Betweens “were too good for the bloody charts.”
What if you took canonical Western works and reimagined them from an African perspective?
Those who value serious journalism (as well as the rights of journalists) should be quite worried about just how lethally Boston Globe management is attempting to undercut the newspaper’s union.
Virginie Despentes novel reads like Paul Thomas Anderson’s Magnolia mashed with Don Quixote and set in contemporary Paris.
Admissions is a successful comedy, but not quite the hot, scathing satire of ‘privileged whiteness’ one might gather from the ads. (Or from some of the local reviews.)
Arts Commentary: MFA Boston — at 150
There have been times in the MFA’s past when it hasn’t lived up to its educational mission, when it has pandered to the whims of the wealthy — particularly its fat cat benefactors.
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