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Come True squanders all of its narrative potential in favor of an awkward and poorly developed romance and a “twist” ending even M. Night Shyamalan would scoff at.
“‘Rightsism’ gives judges much more power than they deserve in a democracy,” Jamal Greene writes. “When U.S. judges face a conflict of rights, they cancel one right or the other.”
It’s rare to find a band that so naturally assimilates its individual voices to strike a collective palette.
This Korean novel dramatizes, with indelible force, the utter dehumanization of women confined to authoritarian patriarchal imprisonment.
Despite its intriguing sci-fi premise, The One is content to entertain so, though its plots meander, it’s a good watch for those aching for a bit of escapism and intrigue.
Museums, now reopened in New York, are trying to coax visitors into their galleries. With two exhibitions, it’s working.
The Sri Lankan rapper’s outspoken support for refugees — the focus of her 2016 album — remains relevant as the United States and the rest of the world continue to grapple with immigration reform.
Dorothy Boudreau believed in the necessity of culture, and she was as erudite as she was unpretentious.
This is a dazzling debut by filmmaker Rose Glass, who has made a powerful film that is grounded, first and foremost, in the monstrousness of daily living.
Arts Remembrance: Poet and Illustrator Joan Walsh Anglund
Throughout her career, Joan Walsh Anglund remained humbled and amazed by her success, maintaining a quiet and private life.
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