Posts
Flipping through this volume will help readers understand just how much the internet and consumer technology has changed the world of arts and culture.
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The voice in Field Music is disciplined, its cagey earthiness unfailingly engaging our attention.
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Calidore String Quartet’s Babel is one of the year’s best albums; Sarah Kirkland Snider’s Mass for the Endangered offers an unsettling and beautifully direct rethinking of the traditional Roman liturgy; for John Luther Adams fans – and the Adams-curious – Become Trilogy is a must.
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With concerts all but wiped off the calendar by the pandemic, our critics naturally spent their time with recordings (and virtual live shows).
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Host Deanna Costa interviews Fuse contributor Steve Provizer about his latest pieces for the magazine.
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The magazine’s jazz critics look back over the past year and highlight their favorites — performances, recordings, and books.
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Daniil Trifonov’s Silver Age pays bracing tribute to fin-de-siecle and post-Revolutionary Russian music; Jonathan Leshnoff’s Third Symphony is smartly-written and affecting. What happens when tenors Lawrence Brownlee and Michael Spyres team up for an album of duets and ensembles from various Rossini operas? Fireworks.
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Alabama Snake is crazy, but it also provides the kind of off-kilter insights into humanity one finds in the best of Southern folklore
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
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When Charley Pride did display anger, it concerned how the country music establishment treated older artists.
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Holiday Commentary: Making Room for the Stranger