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A powerful document about the persecution of an American icon and the government that tried to destroy him.
How do you make filmed opera relevant in the Age of COVID? The BLO isolated the performers from one another and made E.A. Poe’s story the dream of an immigrant child in detention on the US/Mexico border.
These essays aren’t overly scientific; instead, they remind us, with a gentle nudge, to take delight in nature, to pay attention to it, to be observant.
Pieces of a Woman is an affecting film about the depths of mourning highlighted by Vanessa Kirby’s gut-wrenching lead performance.
While the film is determinedly called “Herself “(“you got this, girl…”), the subtitle could equally have been “It Takes a Village…”
Celebrate impeachment in your home with this critic’s fourteenth list of movies guaranteed to entertain.
Those who value serious journalism (as well as the rights of journalists) should be quite worried about just how lethally Boston Globe management is attempting to undercut the newspaper’s union.
My Father Knew Charles Ives and Harmonielehre make an excellent pairing on the Nashville Symphony Orchestra’s new, all-Adams album led by music director Giancarlo Guerrero.
Mint Theater Company’s choice to revive Days to Come is more intriguing than Lillian Hellman’s muddled play.
Visual Arts Commentary: An Enduring New England Design Influence — The Shaker Style
As we move into the 21st Century, with the Climate Crisis and consumerism on the rise, the Shaker’s “less is so much more” sensibility takes on even more significance, practical as well as spiritual.
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