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This is a wicked and entertaining satire on the dizzying class conflicts roiling Indian society, a neo-Marxist story of masters and servants, money and corruption — a Horatio Alger tale with a devilish twist.
I may be in quarantine, but music can transport me back to the Middle Ages, or to the court of Catherine the Great of Russia, or, via Donizetti, to an imagined India.
Azizler is a slow burn; unfortunately, the payoff isn’t worth the wait.
Politics is not the filmmaker’s interest in this lovely, affecting documentation of non-bureaucratic, everyday life in Havana.
This is a very effective political drama, a relevant warning about what social critic Chris Hedges calls the formation of “corporate totalitarianism.”
The late Phil Spector once famously referred to his songs as “little symphonies for the kids.”
Fern may be house-less, but she’s not homeless — there’s a difference, she explains; her home will be the road, and the road is full of life, love, challenges, and surprises, all there for the taking.
Director Chloé Zhao evokes the refreshing experience of freedom felt at the end of a nomad’s typical work day.
Book Review: Yang Jisheng’s “The World Turned Upside Down”
Those who admire Yang Jisheng’s distinguished career should pick up this book. Those searching for a solid, accessible history of Mao’s Cultural Revolution should look elsewhere.
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