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This is a dazzling debut by filmmaker Rose Glass, who has made a powerful film that is grounded, first and foremost, in the monstrousness of daily living.
Few bands have shown themselves to be as infectious about their art — and for so long.
Considering the show’s uneven writing, there’s no certainty that Genera+ion will last longer than a viral TikTok video.
The conversation between Ravi and his mother is funny, engaging, and often illuminating; their real life bond is palpable as the pair try to reconcile the young man’s hopes and dreams with his Indian heritage.
These two performances showcase a group of instrumentalists whose collective musicianship is electrifying: full of just the right combination of wonder, play, and discovery this much-loved repertoire needs in order to sound fresh and truly come to life.
I have only one criticism of André Gregory’s fabulously entertaining book: I wish it was twice as long, or even three times its 208 pages.
Radiating a shaman-like mysteriousness, Maria Schneider prowled the performance space, calling forth dark twists and turns from the collective while summoning anguished expressions from the soloist.
It behooves audiences to be aware of how workers in the arts organizations they frequent are treated and whether management is operating in good faith.
SpeakEasy Stage Company has (once again) chosen a bold script for its audience.
Arts Remembrance: Homage to Dorothy Boudreau — Farewell, My Lovely
Dorothy Boudreau believed in the necessity of culture, and she was as erudite as she was unpretentious.
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