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It isn’t always easy being beautiful, brainy, and talented.
A couple of adventurous pianists decided, as their latest solo releases confirm, to use forced isolation as a spur to inspiration.
Come True squanders all of its narrative potential in favor of an awkward and poorly developed romance and a “twist” ending even M. Night Shyamalan would scoff at.
“‘Rightsism’ gives judges much more power than they deserve in a democracy,” Jamal Greene writes. “When U.S. judges face a conflict of rights, they cancel one right or the other.”
It’s rare to find a band that so naturally assimilates its individual voices to strike a collective palette.
Throughout her career, Joan Walsh Anglund remained humbled and amazed by her success, maintaining a quiet and private life.
This Korean novel dramatizes, with indelible force, the utter dehumanization of women confined to authoritarian patriarchal imprisonment.
Despite its intriguing sci-fi premise, The One is content to entertain so, though its plots meander, it’s a good watch for those aching for a bit of escapism and intrigue.
Museums, now reopened in New York, are trying to coax visitors into their galleries. With two exhibitions, it’s working.
Pop Culture Commentary: The Rise of the “Boomer Doomer”
Hippie Boomers have morphed from being figures we were horrified to see victimized (think “Easy Rider”) to the kind of people that audiences are positively happy to see get their comeuppances.
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