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Despite the artificiality of Summertime’s premise, director Carlos López Estrada links the film’s episodes together via a kind of seamless magical realism: each moment smoothly leads to the next, each accelerates towards a powerful resolution.
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Cross-gender disguises and comic banter liven up the melodrama in this presentation of Antonio Cesti’s famous opera, thanks to a spirited and virtuosic traversal by a mostly Italian cast.
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The volume’s spirited imagination is strong enough to compensate for flaws in its translation.
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Director Michael Sarnoski’s first feature stars Nicolas Cage, and works as a mystery, a story of personal loss, and a foodie movie.
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Many of the pieces in the collection come in the form of a personal diary, and these give us a sense of the day-to-day inner lives of the prisoners.
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There’s a contrast here, an understandable impatience with current events placed alongside belief in MLK’s vision of the long arc of the moral universe. Neither cancels the other.
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The orchestra’s summer home is operating at reduced capacity this season, but it’s wonderful to have the BSO and its public reunited.
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This is a lyrical work: gracefully exaggerating reality is a merit that good poetry and fantasy share.
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Host Elizabeth Howard talks with Stephen Reily, Director of the Speed Art Museum in Louisville, Kentucky about the exhibition, “Promise, Witness, Remembrance.”
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On this disc, trumpeter, singer, and composer Sarah Wilson serves up music that is warm, a little funny at times, and very well played in an unassuming manner.
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