Posts
One could hardly ask for more persuasive Bruch advocacy than what the Nash Ensemble offers here.
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Is Amy Bonnaffons saying that heterosexual love is doomed? Probably not. But she gives no indication it can work in the world she creates here.
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As the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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The Temple University students in this fine big band homage to the late saxophonist/composer Jimmy Heath sound professional — tight and well rehearsed. They are joined by all-stars Joey DeFrancesco and Christian McBride.
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Here is an outstanding recording from the Escher String Quartet of music by two stylistically divergent 20th-century American composers, Samuel Barber and Charles Ives.
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You would never suspect from this big ol’ rock ’n’ roll show that The Black Crowes was essentially toast just a few years ago.
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The sum total of George Wein’s career was a successful wedding of art and commerce.
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Blue Bayou’s story deserves to be told and heard. But rather than focus slowly and intently on its central crisis, the script kneads in a dizzying array of additional threads and sidelines.
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The bizarre half hour animated comedy is a hilarious love letter to The Windy City.
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Film Feature: A Dispatch from Boston’s Last Video Rental Store
“If you really like something and want to make sure you have access to everything, you’ll never do better than having the disc.”
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