Posts
Jackass Forever is incredibly stupid, totally irresponsible, completely juvenile, and it made me feel alive in my body for the first time in weeks.
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This is Mel Brooks’ warm and amusing love letter to his golden years in comedy.
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At times, Laurel Hell’s withering fatigue is directed at the clash between commodification and art.
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Seeing Eleanor Antin’s 100 Boots all in one place is exciting — this work of “postal art” is still explosive. Fred Sandback’s minimalist pieces offer a quiet contrast.
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“When you play with authority, then that’s what the music is about, like ooooh baby, and sing it.” — Cecil Taylor
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Host Elizabeth Howard talks to Jeannine Otis about her musical career and theater piece “Living in Hope,” developed from a writing workshop based on Otis’s book “The Gathering: City Prayers, City Hopes.”
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With the eyes of the world on Ukraine right now, two films at Sundance came from that country, or what used to be that country.
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Tenor Mathias Vidal shines, as does the period-instrument orchestra, in the rarely heard, trimmer version of 1761, on the Chateau’s own new award-winning label.
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Make what you will of this often page-turning confection, which if not particularly literary, may be a bunch of fun.
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Music Commentary: In Memoriam, George Crumb (1929-2022)
George Crumb, who crafted some of the 20th-century’s most brazenly original-sounding and haunting music, lived his life and guided his career on his own terms.
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