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Jazz Album Review: Avishai Cohen’s “Naked Truth” — Meditating on the Last Things

February 18, 2022
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To this listener, the quartet generates a drama of gradual enlightenment, as if extroversion signified some sort of illumination.

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Visual Arts Review: “America’s Past-time” — Are We Having Fun Yet?

February 18, 2022
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The strength of Robert Freeman’s Black figures, even as they endure humiliation or violence, remains a prominent element in his vision.

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Book Review: “Pyre” — A Powerful Romeo & Juliet Fable That Centers on Caste

February 17, 2022
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The Tamil version of Pyre, under the title, Pukkuli, was dedicated to a young man murdered in his community for making an inter-caste marriage.

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Jazz Album Review: Ran Blake’s “Looking Glass” — Music from an Idiosyncratic Guru

February 17, 2022
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This album offers a Baedeker of pianist Ran Blake’s cinematic effects, the mis-en-scene for a narrative musical imagination unlike any other.

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Book Review: “Cuba: An American History” — Inextricably Linked, for Better and Worse

February 16, 2022
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As we hopefully continue to reevaluate our relationship with Cuba, this masterful history should prove an invaluable asset for us all.

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Book Review: “Jena 1800” — A Ferocious Hunger for Freedom

February 15, 2022
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Peter Neumann has written a compelling historical study that focuses on the tumultuous concatenation of a number of imaginative and dynamic thinkers.

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Rock Album Review: David Bowie’s “Toy” — Perusing His Back Pages

February 15, 2022
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David Bowie’s Toy is a solid, enjoyable, and buoyant effort from an artist who never failed to stay interesting and vital well into his later years.

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Classical Album Review: Igor Levit’s “On DSCH” — Exhausting But Astonishing

February 14, 2022
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A major release by a pianist who, just in his mid-thirties, is already one of the most intelligent and satisfying musicians on the circuit.

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Film Review: “Margrete, Queen of the North” — One Matriarch, One Scandinavia

February 14, 2022
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This is an opulent and ambitious historical drama, as attentive to small intimate scenes as it is to grandiose action sequences.

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Opera Review: “Iris,” A Powerful Vision of an Imaginary Japan — Six Years Before “Madama Butterfly”

February 14, 2022
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The composer of Cavalleria rusticana brought his sense for characterization and drama to the all-too-plausible tale of a woman victimized by a cad.

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