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Rock Album Review: This Live Album Proves that The Beths Are the Best

February 24, 2022
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It has been a long time since I last felt this passionately about a new artist as I do about The Beths.

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Theater Review: “Dreaming Zenzile” — The Miriam Makeba Story

February 24, 2022
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Despite its flaws, Dreaming Zenzile reflects, with power, on the difficult relationship between art and activism.

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Classical Music Album: Florence Price — “Uncovered, Vol. 2”

February 23, 2022
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This is an album that’s at once musically significant but, more than that, thoroughly enjoyable. How tragic that, largely on account of her race and gender, Florence Price’s music was almost erased.

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Jazz Album Review: Pianist Billy Lester — One Very Hip Nerd

February 23, 2022
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Pianist Billy Lester is an amusingly dry fellow who is also a deeply serious, idiosyncratic musician.

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Film Commentary: What Disney’s “Encanto” Says About Colombian Realities

February 23, 2022
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In Colombia and Encanto, willful ignorance is the price paid for reassurance.

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Book Review: “The Sentences That Create Us” — In Prison, Triumphs Great and Small

February 23, 2022
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It’s no exaggeration to say that some of the men and women who embraced writing while they were in prison and whose work is featured in this book were writing for their lives.

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Book Review: “The Swells” — Expertly Cruising Through Satiric Waters

February 22, 2022
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Is it possible that adventurous readers have a better feel for the virtues of this zany, demanding satire than fuddy-duddy critics?

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Author Interview: Jan Brogan on a Revelatory Murder in Boston’s Combat Zone

February 22, 2022
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The Combat Zone is more than simply a captivating exposition of legal proceedings and adjacent matters. It is an incisive, vivid, jarring, and meticulous account of — as the subtitle says — “murder, race, and Boston’s struggle for justice.”

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Rock Concert Review: 2022’s Fear Inoculum Tour — Peak Tool

February 22, 2022
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Wading in the deep end of the Tool pool.

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Jazz Album Review: Corina Bartra’s “Amber Light” — Unlistenable? Or Genius?

February 22, 2022
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Others may hear a painfully flawed Latin jazz album, but what I heard was a brilliant postmodern ironic jam session in the mode of Ornette Coleman. I’m probably wrong, but I don’t care, because this album is a blast.

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