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Creator Neil Gaiman has said for years that he didn’t want an adaptation to be made unless the creative team could do the original justice. Well, justice has been done: this is a seismic cultural event.
These poems are of their own time and place — written in Haiti and France early in the twentieth century — yet they remain impressively fresh.
Rebecca Hall gives Resurrection the psychological grounding it needs, as the thriller stretches towards a macabre, fable-like payoff.
This is an entertaining comedy of manners, a sophisticated satire told from the point of view of a feminist professor who is not afraid of committing transgressions in our politically correct age.
What a cruel hoax: the middle class suburban lifestyle, a proud achievement of postwar America and the envy of peoples throughout the world (in no small part due to Mad Men glamorization), contains the very seeds of our demise. If demise is where this is heading.
“One of the positives to come out of this whole [pandemic lockdown] experience is that everyone found out what is important in their lives. Those of us who love music realized just how special it is.”
Max Walker-Silverman’s first feature, A Love Song, is a character-driven, humanist, and deeply ecological present to someone of my generation.
This superb book about adventures in radical thinking is less about tracking incendiary ideas to their obscure sources than about the various media used to ferment and transmit them.
Grids come into these woven pieces with a strange humility, disarming us with repurposed materials and precious handiwork, domestic scenes and visionary tales.
Theater Commentary: January 6 — What About the Children?
Despite a seven-year record of artistic, social, educational, and organizational success, Junior Programs has, until now, been a forgotten chapter in the history of America’s children’s theater. And we desperately need to remember that chapter now.
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