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At House of Blues, Fontaines D.C.’s brooding, bristling music was offset by shifting swatches of amber and purple lighting amid the shadows, casting the musicians in mysterious terms.
Religion is false, unscientific, and morally dubious, and any discussion that doesn’t take that as its starting point will end up going astray.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Tar is about a major artist with an outsize ego who ignores at her peril the seismic shifts in the culture.
An author with a deep affinity for and knowledge of movies and how they’re honored tells us all about Oscar.
Chaos and anarchy are embedded in Angelo Madsen Minax’s hybrid cinema of survival, acceptance and transcendence.
The nine-part film series focuses on the artist in his studio in Johannesburg. We see William Kentridge as he draws, paints, designs, paces the floor, and thinks out loud — among other things.
An experimental drama, no matter how tantalizing, has to come up with a payoff that makes its bewildering journey worth it. Lucas Hnath’s doesn’t.
Augustin Hadelich has the feeling of this music – its bittersweet melodic phrases, dancing riffs, and restrained passion – well in hand.
Visual Arts Commentary: Branded in Boston — Logos by Any Other Name
What’s up? Several public and private agencies have changed their graphic identities and even names.
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