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Poetry Review: Henry Walters’s “The Nature Thief” — Memorable Verbal Acrobatics

December 12, 2022
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The poems in this remarkable collection lead us, as all good literature should do, after all the appearances and misdirections, feints and antic dispositions, to nothing but ourselves.

Jazz Album Review: Satoko Fujii’s “Hyaku: One Hundred Dreams” — Slightly Restrained Mayhem

December 11, 2022
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Pianist/composer Satoko Fujii’s determination to create is astonishing and wide-ranging — her 100 albums as leader prove it.

Classical Concert Review: Celebrity Series Presents Junction Trio — Balancing Flair and Cohesion

December 11, 2022
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This young, superstar trio is capable of being as cool as it is fiery, and the performers’ strengths bring out the best in each other.

Jazz Interview: Trumpeter Mark Morganelli Makes It to Boston — Finally

December 11, 2022
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“The reason I started the Jazz Forum was to give emerging artists like myself the opportunity to perform.”

Arts Feature: According to Our Critics — The Best That TV Offered in 2022

December 10, 2022
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Were we able to watch all the new TV shows we wanted to in 2022? Hell, no! But here are some favorites.

Theater Reviews: On Broadway, “Topdog” Sizzles While “Salesman” Slogs

December 9, 2022
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In Broadway revivals, Topdog/Underdog is absolutely riveting, while Death of a Salesman feels forced and unconvincing.

Film Review: “Empire of Light” – A Lovely Celebration of Cinema and Those Who Love It

December 9, 2022
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Sam Mendes writes and directs an poignant ode to the escape we find in going to the movies.

Translator Interview: John Taylor on Philippe Jaccottet

December 8, 2022
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“We have entered an age of unequivocal partisan discourse, of linguistic robotization, of tiny symbols standing for complex emotions. In total contrast to this, Philippe Jaccottet’s writing constantly shows nuance, attentiveness, perseverance, circumspection, and a genuine quest for essential truths.”

Arts Commentary: Remembering the Culture Wars of the ’90s

December 8, 2022
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Freedom of expression is a more precious commodity than taste. Conservative critics were very clear about their moral imperative; they confidently vilified artists and terrorized institutions. No one won the culture wars — we lost them.

Classical Music Feature: “Best of 2022” — Unusual Operas Plus Some Songs, Choral, and Instrumental CDs

December 8, 2022
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Here’s my list of two dozen superlative operatic offerings of wildly differing kinds, plus some notable non-operatic offerings.

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