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Gil Rose’s team, headed by an incandescent Ellie Dehn as Catherine of Aragon, should help bring this major work back to the world’s opera-house stages.
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“As the old saying goes,” writes author and former prosecutor Valena Beety, “when you’re accustomed to privilege, equality feels like oppression.”
Read MoreVisual Arts Review: A Mom’s Gaze — Anna Grevenitis and the Arnold Newman Prize at the Griffin Museum
Each project in the exhibition presents unique perspectives on seeing and being seen, fitting for the Newman Prize’s goal of providing a platform for innovative photographic portraiture.
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It is pretty clear that this Canadian band was not in the right place at the right time, despite the ferocious energy and speed of its music and sublime performances.
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Channeling equal parts Lucinda Williams and Levon Helm, the album features Robin Lane’s rich, earthy voice supported by sparse instrumentation.
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Like a magic show where you know you’re being duped and enjoy it all the same, Reiser’s act was something you just settled back and enjoyed without analyzing it too much.
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This little-seen film, disturbing, uncompromising, often darkly funny, should be recognized as one of the most original American independent films of this century.
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Two films look at the hardships and realities of rural life, past and present, at the New York Film Festival.
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Despite some missteps and miscasting bumps along the way, this staging faithfully captures playwright August Wilson’s searing poetic vision.
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While impressive, Life Magazine and the Power of Photography disappoints.
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Arts Feature: Best Movies (With Some Disappointments) of 2025