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Poetry Review: Robert Desnos’s “Night of Loveless Nights” — Far From Ephemeral

June 16, 2023
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A reprint from 50 years ago, this small book brings to the English-speaking world a strategic introduction to the work of a major French poet of the twentieth century.

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Film Review: Doc Talk at the 2023 Provincetown International Film Festival

June 16, 2023
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Two documentaries at PIFF show how we got to where we are now.

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Visual Arts Feature: Fluxus Artist Nye Ffarrabas Turns 91 — Celebrating “The Friday Book of White Noise”

June 16, 2023
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Nye Ffarrabas and others in Fluxus created intermedia events that pushed the boundaries of prevailing norms in painting, sculpture, poetry, music, architecture, and theater.

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Book Review: Nathan Go’s “Forgiving Imelda Marcos” — The Price of Broken Relationships

June 15, 2023
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Nathan Go’s debut novel is entertaining, emotionally resonant, and raises provocative questions about forgiveness, redemption, and love.

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Weekly Feature: Poetry at The Arts Fuse

June 15, 2023
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This week’s poem: Jennifer Martelli’s “The Chain.”

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Dance Review: Boston Dance Theater’s “Carol Kaye Project” — A Thrilling Tribute

June 13, 2023
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Bravo for the Boston Dance Theater’s decision to venture outside of Boston and perform at an interesting venue in Portland, ME.

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Book Review: “My Stupid Intentions” — The Heartbreaking Bildungsroman of a Beech Marten

June 13, 2023
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The fox knows many things in My Stupid Intentions. The beech marten just one.

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Concert Review: Leslie Odom Jr. at the Groton Hill Music Center — The Room Where It Happened

June 12, 2023
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Given the overwhelmingly loud and appreciative response from the sold-out crowd, which hung on every note of Leslie Odom, Jr.’s diverse and stirring set list, he’s unlikely to forget Groton anytime soon.

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Theater Review: “Private Lives” — Time for Retirement?

June 12, 2023
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Even when it is well-performed, as it is here, it is unclear whether Noël Coward’s well-constructed comic concoction deserves another theatrical lease on life.

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Concert Review: Pat Metheny’s Side-Eye — A Very Modern Organ Trio

June 12, 2023
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At New Hampshire’s just-christened Nashua Center for the Arts, 68-year-old jazz guitarist Pat Metheny shared a wily sidelong glance at his own broad compositional and improvisational history.

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