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A captivating world-premiere recording of a work by the 21-year-old who would later conquer the operatic world with “Les Huguenots” and “L’Africaine.”
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Cinema at its best is a a place where seemingly irresolvable conflicts can find, if not resolution, then some common ground.
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“The Zone of Interest” is a cinematic embodiment of Hannah Arendt’s famous phrase “the banality of evil.”
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Love and lightness (if often at intersections with death and faith) filtered through many of the songs in Nick Cave’s sonically naked “solo” concert.
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“Mami Wata” beautifully cracks open a world Western eyes either blatantly ignore or seldom get to experience on screen.
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The first of three review round-ups from this year’s London Film Festival’s excellent slate of films.
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“Archive” sprung from Sofia Coppola’s desire to record what her mind’s organized chaos says about her and her films.
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The fury H&H’s new artistic director Jonathan Cohen delivered in this performance made “Israel in Egypt” and its timeless story ring with renewed vigor.
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This is a Strindbergian dance to the death between a powerful, accomplished woman and a husband tormented by his own sense of failure.
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