Visual Arts

Visual Arts Review: Designing the California State of Mind

April 27, 2014
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California has long been the home of fads, trends, new styles and the next new thing. It is where cool was and is created.

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Visual Arts Review: “Quilts and Color” — Far From Folk and Perhaps Beyond Art

April 16, 2014
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Far from being the cool, detached, and cerebral creations of the color field artists, these quilts, imagined in their intended context, are deeply personal, sensuous, and alive.

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Visual Arts Review: “Dear Boston” — A Moving Memorial to the First Anniversary of the Boston Marathon Bombing

April 9, 2014
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It is difficult to describe how moving these simple, mundane objects are in the context of this exhibition.

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Fuse Museum Notes: The American Folk Art Museum goes down, Harvard Art Museums go dark

February 12, 2014
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Significant changes in the world of the art museum can trigger roiling controversy or transpire in problematic quiet.

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Visual Arts Review: Susan Metrican’s Groovy “Wavy Panes”

February 5, 2014
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Each of Susan Metrican’s pieces is coy and playful. Moving through the gallery is an adventure, visually and spatially.

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Book Review: Art Historian Bernard Berenson — Reinvention as the American Dream

January 19, 2014
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Cohen devotes little space to Bernard Berenson’s art historical methodology, now largely superseded by modern approaches. She relates Berenson’s less admirable qualities without judging them.

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Fuse News: Celebrate the 100th Anniversary of the “End of Reason”

January 18, 2014
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There can be no doubt that Malevich was right, and that since February 1914 reason has played a distinctly subordinate role in human affairs, including art.

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Fuse Visual Arts Review: London’s “Paul Klee: Making Visible” — Endlessly Inventive

January 9, 2014
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Few artists in history have been as multifarious and prolific as Paul Klee – only Picasso and Ernst come to mind.

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Visual Arts Interview: Doing Ad-Lib Art — Richard Thomas Scott Kicks Off “30 Paintings in 30 Days”

December 11, 2013
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Artist Richard Thomas Scott is currently working on his new Kickstarter project, “30 Paintings in 30 Days.” Sponsors pitch him inspirations (“Challenge me to paint something I’ve never done before!”) and he interprets them on canvas..

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Visual Arts Review: “Maus” and More — Art Spiegelman at the Jewish Museum

November 21, 2013
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Art Spiegelman believes that “MAD” magazine was more subversive for his generation of protesters than either marijuana or LSD. It certainly radicalized him.

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