Visual Arts
Now on the cusp of nine decades, Frank Stella is dedicated to visual experimentation, a kind of controlled and aesthetic atom-smashing,
Wendy Artin finds beauty everywhere – in a clutch of beets, old paintbrushes, ruined statues, the human body.
Even without museum commentary, Native Fashion Now is an important show – visually, socially, and politically.
I was not fully satisfied by the constraints of the exhibit, but I enjoyed seeing the work of those who made up the Black Mountain College community.
Beautifully produced by Seagull Books, The Pilgrim’s Bowl is an invaluable introduction to both painter and poet.
Other than a highway sign not much remains, but the artistic legacy of Black Mountain College is truly indelible.
This is a strong exhibit that succeeds in conveying a sense of what it was like to live during the 1920s in this exciting capital.
Curious Sound Objects showcases works that sit at the intersection of art and science as well as aesthetics and technology.
Matthew Teitelbaum, 59, may be among the most reluctant employees the Museum of Fine Arts, Boston has hired.
The pieces in this exhibition are apt examples of just how smart and complex purely ‘decorative’ objects can be.

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