Visual Arts
It was particularly delicious to see George Washington get his comeuppance.
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If you are in New York this week there is plenty of art to see. Just a short walk from the Metropolitan Museum is a show that you will probably never see again. You can visit it for free. It closes this weekend.
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Muse upends convention by examining twenty-nine real life situations that offer a broader, and more generous, view of what a muse can be.
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This BarabásiLab exhibition is inspiring because it exemplifies a powerful integration of art and technology.
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Africa’s Struggle for Its Art usefully charts the prequel to current campaigns pressuring for the return of colonial plunder.
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Making the viewer draw visual connections among Matisse’s pieces in the title painting is at the core of MoMA’s The Red Studio.
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While it’s too soon to call it timeless, the vitality in Philip Guston’s art has proved durable. But the structure around it – the “art world” in its blinkered, stultified form, institutional and academic in the worst senses of those words – has died and encased it.
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Raida Adon rejects political categories because they fail to capture the utter strangeness of lived experience.
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Visual Arts Commentary: Two Books and a Play — Creating Architectural Literacy
Given the current state of play, any attempts to enrich our knowledge of the built environment are valuable.
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