Theater
Harold Pinter’s language can be enigmatic and deliberately bizarre, but it suggests arcs of passion and desire.
Bridge Rep Theater director Olivia D’Ambrosio has not taken message-mongering to heart in this lively production of a rarely produced play.
Wesley Savick not only does a fine job of adapting Alan Lightman’s text, but in his role as director he squares the circle.
ASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.
It is no longer enough for a playwright to go into the belly of the ‘beast’ and pray for help.
This show’s eclectic score is more progressive than what is typical of our determinedly conservative modern musical theater genre.
Israeli Stage has opened its sixth season, which is dedicated exclusively to female playwrights, with a haunting work that examines the complicity of an ordinary German in the Holocaust.
The Huntington Theatre Company’s magnificent production of Stephen Sondheim’s masterpiece A Little Night Music is as good as it gets.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters