Theater

Stage Interview: Robert Scanlan on Samuel Beckett’s Women

September 9, 2015
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“When we turn so crass and commercial that we have lost our way, Samuel Beckett will be rediscovered as the way back.”

Theater Review: A ‘Loverly’ “My Fair Lady” From the Lyric Stage

September 7, 2015
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Simplicity is the key to director Scott Edmiston’s passionate vision for this musical.

Fuse Theater Review: “Informed Consent” — Science, Ethics, and Racing Against the Clock

September 5, 2015
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Playwright Deborah Zoe Laufer has done a marvelous job of blending weighty ideas into a very human context.

Theater Review: A.R. Gurney’s “Love and Money” — Aging White Bread Blues

September 3, 2015
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Love and Money is a short play, lengthened beyond one-act duration by stuffing a Cole Porter interlude into its middle.’

Critical Blast From the Past: Hack! Thump! Rustle! Ah-choo!

September 2, 2015
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Here is a random roster of playgoing pests, may Thespis strike each of them dumb.

Fuse Theater Review: “The Absolute Brightness of Leonard Pelkey” — Shine On

August 30, 2015
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James Lecesne’s one-man show delivers just what it promises….a lot of laughs and a few tears as well.

Theater Review: An Entertaining “Winter’s Tale” — Under the Summer Stars

August 27, 2015
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The Winter’s Tale‘s odd structure and hybrid genre is a challenge to modern directors and audiences alike.

Theater Feature: Bridget Kathleen O’Leary Talks about GSC’s “The Flick”

August 27, 2015
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“An Annie Baker pause is about the people themselves, beating themselves up, figuring out what to say next.”

Theater Review: “The Road to Where” — A Powerful Musical Memoir

August 25, 2015
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A friendly energy runs through the heart of The Road to Where, a tangible and inviting companionship.

Fuse Theater Review: “GSC”‘s “The Flick” — Lots of Pauses, Pregnant and Otherwise

August 24, 2015
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You should see GSC’s The Flick, but be warned that the drama works in spurts and starts

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