Theater
Company One’s actors are top notch and they expertly serve the production’s antiquated style of non-realistic acting.
Audiences are always shocked by Body & Sold.
Nice Fish serves up a deliciously droll brand of American existentialism.
The Housekeeper may be too conventional for its own good, but it is intelligently crafted and engagingly entertaining.
In the theater, sentiment must be earned – Violet is moving and likable, but its pathos is only skin deep.
Given the rise of radical Islamic terrorism, Disgraced is nothing if not timely.
Sean Daniels displays a fearless desire to share his own battle with alcoholism, a disease that nearly destroyed his career and his life.
It is strange that Citizens of the Empire is so weirdly underdeveloped, given that it has been in development for quite a while now.
Via Dolorosa would have been more effective if it had taken the form of a travel essay rather than a performance piece.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters