Theater
Canada’s Stratford Festival is offering a rare (and treasurable) opportunity to see this Middleton/Rowley gem performed on stage.
In this superb production, George Bernard Shaw’s version of Wonder Woman is far from a comic book savior.
Dominique Morisseau’s monologues and dialogues draw you into the details of American working class life.
Fresh Ink Theatre is to be applauded for taking risks, for daring to mix it all up, for giving audiences a taste of what theater, shelter-skelter version, can be.
Nick Payne’s fascinating Constellations takes the cosmic paradoxes of time head on.
The Model American is a powerful reminder of how deep theatrical pockets can be used to develop deeply significant new work.
Children of the Wild’s Daniel Shays is the ideal response to the once popular 19th century Ballad of Daniel Shays.
The CTC’s first production of the summer is an unqualified delight.
Flawed and perhaps overwrought, The Whipping Man is worth watching because of the intensity of its individual scenes.
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