Theater
Coming of age in today’s world is a tumultuous and confusing experience; Ken Urban’s script expertly taps into these modern anxieties.
The short volume promises a glimpse into Patti Smith’s intuitive creative process — but disappoints.
An invigorating staging of Henrik Ibsen’s still pertinent play about spinelessness up and down the political spectrum.
An entertaining but surprisingly slight monologue from Israeli playwright Joshua Sobol.
This staging, in terms of quality, surpasses any previous Flat Earth Theatre production I have attended.
An outstanding production of a Stephen Sondheim musical that was initially thought to be a misfire.
Wilbury Theatre proves that an arts organization can grow while pushing an experimental agenda.
In Ionesco’s play, society no longer makes sense — even to itself.
WARHOLCAPOTE is a breezy, 90 minute tribute to American pop and gossip.
Selina Fllinger’s play manages to serve up some vivid confrontations between believers and doubters.
Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises