Theater
The irony implied by Junk after the curtain goes down is the realization that white collar crime does pay.
Director Courtney O’Connor, the Nora Theatre, and its skilled cast do right by this hilarious historical comedy.
Sleeping Weazel stages a gutsy production of an angry, ugly, and essential history lesson.
I found myself almost wishing the dramatist had written a longer play (a rare desire coming from a theater critic).
Is a romantic relationship with someone who is lovely — but mentally ill — worth the effort?
Let us hope that today’s revelations will be taken more seriously than charges of sexual harassment and assault were back in 1993.
Matthew Woods and his actors do not draw on a faux-naturalist performance style, which is so (unfortunately) fashionable in mainstream theater.
The bottom line is that we simply aren’t given a requisite sense of the play’s embrace of tragedy.
We are invited to see the world through the eyes of an adolescent whose autism makes human communication and contact incredibly difficult.
Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises