Theater
This Proof’s weakness comes from the thinness of its lead performances.
Road Show is unlikely to top anyone’s list of Sondheim favorites, it’s an often entertaining take on a quintessentially American story.
As a storyteller, Rohina Malik exudes warmth and humanity.
Ultimately, this production of Lost Girls might have gone deeper if it had been slowed down a bit.
SpeakEasy Stage Company’s production of Shakespeare in Love comes off as lovely, temperate, and at least a little trite.
KNYUM is unlike anything else New England theatre currently has to offer — in the best possible way.
Ada/Ava is an impressive theatrical feat that finds a new, and invigorating, way of telling a story on stage.
Perhaps the theatre of millennials will resemble Reality TV, resistant to suggestive metaphor and the rewards of complex narration.
Our theater critics pick some of the outstanding productions of the year.
All of the pieces – and some of them are quite odd and incongruent – come together in Sense & Sensibility to become one.
Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises