Theater
If the theater really mirrors life, then you can bet we’re in for some drastic changes and adjustments, even on Broadway.
Theresa Rebeck’s foodie comedy Seared is more of an amiable appetizer than a substantial entree.
CSC pulled out all the stops for its turn at The Tempest, bringing together a cast that is more than up to the challenge of knitting together poignant drama and madcap comedy.
Throughout history, theater has been a place where the community has looked honestly at what is killing it.
Truman & Tennessee is a meticulously researched and edited documentary about two gay men and their differing commitments to art.
The GSC production of Tiny Beautiful Things supplies a 90-minute catharsis, an opportunity to deal with all we’ve bottled up over the last 15 months or so.
For many dramatists, the label of ‘leftism’ was not pejorative: it was about fighting for human decency and political reform.
Songs for a New World grapples with the jumble of emotions prompted by the end of the pandemic, while also serving as a potent reminder of what a joyful experience musical theater can be.
“We can, of course, be deceived in many ways. We can be deceived by believing what is untrue, but we certainly are also deceived by not believing what is true.” — Søren Kierkegaard
Theater Commentary: Is It the Right Time for “Our Town”?
These days, I’m not in a mood to be comforted in the theater by either toasting or roasting chestnuts.
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