Theater
AntigonX shows how a theater company’s admirable dedication to innovation lifts new voices and ideas.
We live on the stage of my theater now.
Everyday Life and Other Odds and Ends is admirable because it takes contemporary theater into fresh territory — the slow paralysis of the body and the demands this decline makes on caregivers.
Ocean Filibuster draws on a marvelous fusion of myth, song, free verse, and science to explore why we are standing at the frightening edge of the cliff of our planet’s survival.
In dealing with the turmoil of ‘real’ life, the art of illusion found in cinemas, theaters, and museums will help us regain a sense of who we are as communal beings.
This staging is a reminder that theater magic is fickle and time-bound — it’s hard to dependably catch lightning in a bottle.
Joshua Harmon’s serious but not solemn play focuses on a Jewish family in Paris grappling with the rise of antisemitism.
Young Nerds of Color feels like a bit of an experiment, and it is the kind of creative research that we should hope will continue.
Despite its flaws, Dreaming Zenzile reflects, with power, on the difficult relationship between art and activism.
Theater Commentary: A Wacky Vision of Violence — “Gary: A Sequel to Titus Andronicus”
Finally, a sign that American theater might be facing the world of violence outside of its usual provincial purview.
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