A real life collision of legends of stage and screen that took place almost 50 years ago is a seductive, but dangerous, idea for a play.
Increasingly, artistic directors are expected to be super-successful fundraisers, an unstable hybrid of peddler and visionary that throttles artistic independence.
In her latest project, Pulitzer prize-winning dramatist Suzan-Lori Parks covers the country. By Jared Craig Four years ago, Suzan-Lori Parks set out to do what no dramatist, no matter how prolific, has ever done before. The Pulitzer prize-winning playwright decided to write a play for each day of the year. Her mission completed, the scripts […]
Quick: name a script about a classical musician.
By Thomas Garvey It hit me about halfway through the second act, when a shirtless Joe Wilson, Jr. slid down a rope and began to work a truly spectacular set of pecs: “Ain’t Misbehavin’” could be the horniest show I’ve ever seen in Boston.
Stephen Greenblatt’s acclaimed biography of Shakespeare is filled with fascinating speculations.
“Whoever manages to write a pure comedy on his deathbed has achieved the ultimate success.” — Thomas Bernhard A biography examines, with mixed results, the life and work of Thomas Bernhard, an acclaimed Austrian writer and playwright his homeland loved to hate. Thomas Bernhard: The Making of an Austrian by Gitta Honegger. Yale University Press, 348 pages. […]
“The Diaries of Kenneth Tynan” provides literate entertainment and cautionary tales about what happens to a critic when the will-to-celebrity triumphs over the urge-to-critique. The Diaries of Kenneth Tynan Edited by John Lahr. Bloomsbury, 439 pages. By Bill Marx Kenneth Tynan’s descent from brilliance to muddle is a fable for theater critics, a cautionary tale […]