Theater
Ultimately the evening is NOT about wrestling. It’s about the root, the very nature of art. About the love of craft; about wanting and needing to create.
Olympia Dukakis’ Prospera is no tough feminist deity commanding a tiny kingdom. She is at her best when she plays the character as a feisty, down-to-earth mother who wants the best for her daughter.
“The Swan” is a bold choice for a theater company and demands excellent actors and direction to keep it afloat.
Patrick Barlow’s script and Chuck Morey’s direction of the Peterborough Players production turn “The 39 Steps” into a madcap, Marx-Brothers-style of zaniness barreling along at farce-speed until the very last moments.
The issues raised by Mike Daisey’s infraction, his fall from grace, and now his return, are many, but chief among them is the privilege of illusion, the birth-right of the artist.
You leave the matrimonial musical “I Do! I Do!” humming its banalities.
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