Theater
Two recent productions of Shakespeare, one a heralded London staging at the Donmar Warehous heading to New York in April, the other an Actors’ Shakespeare Project presentation in Davis Square, provide examples of the strengths and weaknesses of tackling the Bard without frills.
Read MoreAs long as the wizardly spell of dramatist Mark O’Rowe’s creative versification stays strong, Terminus holds you firmly in its slip-slimy grip. The nimble verse is rappy and snappy, a sort of slangy, obscene, sing-song rhyme (with some breath-taking vocal syncopation) that accentuates rather than undercuts the dark doings of the play, at least for…
Read MoreApril promises some provocative theater, from new plays at the Huntington Theatre Company and the Charlestown Working Theater to opportunities to hear a steamy script by Shakespeare contemporary Thomas Middleton and to take in the Elizabethan antics of BBC TV’s Blackadder on stage.
Read MoreD.W. Jacobs’s presentation of the life and ideas of American visionary R. Buckminster Fuller invites you to make your own intellectual structure out of what you have seen—connect Fuller’s dots and you have an image that expands your mental horizons or at the very least ups your powers of analysis and recall. R. Buckminster Fuller:…
Read MoreThis musical/dance hybrid portrays Afrobeat originator Fela as a master entertainer and political agitator, an evening of terrific dance numbers nimbly performed and wonderful music played by first-rate musicians that ends on a suitably somber acceptance that with high flying dreams of freedom come bottom line responsibilities. FELA! Book by Jim Lewis and Bill T.…
Read MoreSince its debut, the play Hysteria has been advertised as “in the comic tradition of Tom Stoppard,” blithely blending fact and fantasy, real life people and fictional characters into frothy fun. Unfortunately, Johnson is no Stoppard. Hysteria or Fragments of an Analysis of an Obsessional Neurosis by Terry Johnson. Directed by Daniel Gidron. Presented by…
Read MoreThe tragicomic idea is that the existential futility of Franz Kafka’s world reflects life in the theater. The characters gloriously quixotic love for the stage battles against commercial greed, egomania, and psychological mess-ups. The Understudy by Theresa Rebeck. Directed by Larry Coen. Staged by the Lyric Stage Company of Boston at the 140 Clarendon Street…
Read MoreJulie Taymor’s film version of William Shakespeare’s The Tempest is conclusive proof that just because we can do something with technology does not mean that we should. Less is often more, and one great text in hand is worth a dozen computers in the mix. And what was the director thinking with the racist portrayal…
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