Review
“Witness Uganda” is a quintessential American musical — a work of cultural tourism that condemns cultural tourism.
The protagonist may necessarily be passive in the face of his or her diminishing mental condition, but art must rage against the dying of the light.
Two new recordings from Harmonia Mundi offer gripping performances, including one of the Smetana String Quartet no.1 that’s particularly full of fire and life.
Exciting new LPs from two leading practitioners of post-rock — Thee Silver Mt. Zion Memorial Orchestra and Have a Nice Life.
Pianist Murray Perahia’s return this weekend, with Schumann’s A minor Concerto, seemed tailor-made on paper: he’s one of the world’s great chamber musicians and this concerto plays to all his strengths.
Not surprisingly, nearly half of the band’s 20-song set Thursday night was made up of “AM” songs. Despite the quality of the quartet’s first four albums, nobody seemed to mind.
Most everyone has heard the faux-scandalous name. What has not been heard enough is that Pussy Riot are the purest and most potent expression of the punk-rock ethos ever.
Pianist Benjamin Hochman is a musician who’s interested in insightful programs that can be provocative, speak across centuries, and engage the mind as much as they delight it.
I get why Compagnie Käfig’s Correria/Agwa has been booked onto stages in 15 countries and counting. But the troupe’s polished athleticism comes at the sacrifice of hip hop dance’s precious anarchy.
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