Review
At its core, Code Black is about the struggle faced by young physicians who want to remain idealistic in the face of our failing health care system.
The stupendous Fritz Lang retrospective running over the course of this summer at Harvard Film Archive will soon screen two Lang remakes (in America) of films directed by Jean Renoir.
Jazz buffs know about the Yellowjackets. This is a Grammy-winning band that writes and performs complicated, intricate compositions that cross countless boundaries and thus make them difficult to pigeon-hole.
A Hard Day’s Night stands as a landmark in rock history because it exemplifies the Beatles’s joyously innocent starting point — today it delivers an irresistible sonic joy that comes from listening to songs that still rock after fifty years.
Some listeners are undoubtedly going to dismiss Lese Majesty as a collection of vignettes or motifs, formless for all intents and purposes. That would be a shame.
There’s room to wonder if Vladmir Jabotinsky would have accepted Menachem Begin, Ariel Sharon and Benjamin Netanyahu as his legitimate Zionist heirs.
Pianist Fred Hersch’s ballad playing is one of the special treats in contemporary jazz.
This kind of faux-inspirational drivel has Hollywood privilege written all over it.
The Noble Hustle gives talented novelist Colson Whitehead an opportunity to spelunk in some of the gnarlier corners of the American dream, in this case the Tropicana in Atlantic City.
Charles Morey’s new comedy focuses on the trials and tribulations of aging writers. Most of its humor revolves around the past, while its plot hinges on the present and future.
Film Music Commentary: Why “The Odyssey” Should Have Been a Silent Film