Review
Pianist Simone Dinnerstein’s new album, Broadway-Lafayette, features her on three pieces, all written since 1924, that celebrate musical ties between France and the United States.
The puckish, irrepressible personality of James Randi — magician, escape artist, debunker of seers, psychics, and all things paranormal — is at the zesty heart of this memorable documentary.
If these efforts are representative of Icelandic cinema, it is time for movie lovers to start paying much closer attention.
After hearing pianist Daniil Trifonov in this recital performance, I would say no one on the celebrity circuit has a more impressive technique.
The opportunity to hear Leoš Janáček’s magnificent score live ultimately trumps any reservations I have about the production as a whole.
Yasmina Reza’s dollhouse of a novel is a miniaturist’s miracle.
Culture Clash’s view of America will discomfort, which is all the more reason that I urge you — strongly — to attend.
One leaves History of Fear feeling that the director wants to stir up our anxiety about the omnipresence of fear itself.
Without being at all didactic, Michelle Dorrance reveres tap history by adapting traditional ideas, then resolving them unexpectedly.
George C. Wolfe’s 1986 collection of vignettes that spoof and celebrate black stereotypes occasionally plays like reruns from the ’90s TV show In Living Color.
Arts Commentary: The Orchestra Gap — Europe vs. the US