Review
Ascending Light is, by far, the most serious orchestral score of Gandolfi’s I’ve heard and it succeeds to a considerable extent thanks to its expressive honesty.
The Golden Dragon Acrobats’ Cirque Zíva is part dance, part acrobatics, and 100 percent spectacle.
The Zellner brothers’ excellent film is inspired by a Japanese urban legend of a young woman who came to America supposedly because of Fargo, and then committed suicide in the snows.
Each piece is so different from the others in Shades of Sound that the evening provides something for everyone, giving the company a chance to showcase its phenomenal technique.
Winter Sleep is not the cinematic masterpiece so many have been hailing it to be.
The Dirty Dust is a novel of almost unbelievable invention, humor, pathos, eloquence, and fury.
The problem is that John August’s book for the musical lacks most of what made his screenplay for the 2003 film so emotionally resonant for so many.
French writer Pascal Quignard strives to peer beyond, or behind, what psychoanalysts typically rationalize as the primal parental realities.
From The Deep suggests that Boston’s theater community would be better served if it put more of its resources into presenting the work of local literary talent.
Arts Commentary: The Orchestra Gap — Europe vs. the US