Review
In 1939, Clifford Odets wrote that ‘we are living at a time when new art works should shoot bullets.” Fat chance of any shots coming from our voluntarily disarmed theaters.
The Legend of Zelda: Majora’s Mask is the video game version of Groundhog’s Day — you’re Bill Murray, and it’s brilliant.
A graphic novel about the death of art and the art of death
For the diehards who crowded the Sinclair, the Church aren’t about hit singles and nostalgia; they’re about double-guitar dreamscapes and psychedelic visions.
If James Madison was so verbose that his draft version of the First Amendment could be cut in half, then he can hardly be called an artist with words.
Written and directed by feature film newcomer Matais Lucchesi, Natural Sciences is a cautionary tale: be careful what you wish for.
The BSO’s captivating performances of King Roger received unanimous rave reviews from the local press, to which I add mine.
Like James Baldwin, Alain Mabanckou is striving to see beyond comforting or righteous notions and grasp a world full of movement, migration, diversity, and unexpected mixtures.
Director Cristián Jiménez treats the melodramatic proceedings with an ironic sense of humor that manages to keep the maudlin at bay.
Arts Commentary: The Orchestra Gap — Europe vs. the US