Review
Looking deeply into things and, by no means least of all, into other human beings implies meditating on brevity, on ephemerality—and this is what Tone Škrjanec does in this book.
Glow is a witty, accessible, but at times overly ambitious journey through the world of exotic drugs, the chemistry of romance, and the insidious effects of globalization.
Celeste Oliva’s performance is so raw, we experience every doubt, every fear, and watch her confidence slowly evaporate under pressure.
Underground director Emile de Antonio saw films as “a way to make art out of political raw material.”
In some essential and large way, novelist Colm Tóibin gets Elizabeth Bishop right.
Minimalism doesn’t make narrative or emotional demands. It shows you a surface, and if there’s anything below the surface, you draw your own conclusions.
The Lyric Stage is presenting a moving production of Lynn Nottage’s cautionary tale about strength of character tragically misdirected.
Julia Fischer’s account of Brahms’s Violin Concerto with the Boston Symphony Orchestra (BSO) this weekend was nothing if not dynamic and impressive.
Arts Commentary: The Orchestra Gap — Europe vs. the US