Review

Movie Review: Joanna Hogg’s “Exhibition” — Voyeurism Revisited

August 27, 2014
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Seeing Exhibition is like spying through a window on our most glamorous neighbors moving about their flat: it’s kind of kinky, kind of fun.

Book Review: “Our Lady of the Nile” — Prefiguring Rwandan Genocide

August 26, 2014
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Because of the national tension between the Tutsis and the Hutus, and its effects on everyday routines in the school, this novel cannot long remain a bemusing tale of adolescent life.

Album Review: B L A C K I E — Conflating the Barbaric and the Beautiful

August 26, 2014
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Imagine Yourself in a Free and Natural World finds B L A C K I E reaching an ambitious artistic high, delivering potent pieces of jazzy discord that impressively conflate the barbaric and the beautiful.

Theater Review: A Superbly Gritty Staging of August Wilson’s “Fences”

August 26, 2014
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Director Eric C. Engel and the Gloucester Stage Company cast gives Fences an insightful and nuanced production.

Film Review: A Touching “Land Ho!” — We’re Not Dead Yet

August 25, 2014
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Despite a few clichéd moments, Land Ho! is the satisfying product of the natural grace that Aaron Katz and Martha Stephens have developed as filmmakers.

Concert Review: Martha Davis and the Motels — A Well-Earned Comeback

August 25, 2014
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It was good to see Martha Davis and The Motels with a full house at Johnny D’s, especially since the group clearly has life in them.

Theater Review: An Uneven “Texas Trilogy”

August 23, 2014
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There are some fine moments in Re:Group Theatre’s production of the epic A Texas Trilogy, but there are also many limitations.

Rock Review: Chicago the Band — A Hard Habit to Break

August 21, 2014
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Though it doesn’t seem that Chicago will ever shake up their setlists or rediscover their original mission, at least they can still sneak just a little Varese in with the hits.

Theater Review: “The Voysey Inheritance” — A Masterpiece About Fraud, Capitalism, and Family

August 21, 2014
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The Voysey Inheritance comes to the Peterborough Players with distinction, and this production is persuasive evidence that it belongs in a wider repertory of contemporary theater.

Film Review: “Frank” — Wonderfully Idiosyncratic

August 21, 2014
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If Van Gogh had picked up an acoustic guitar, he’d be Frank.

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